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June 20th, 2024
Nudes arts are a form of art that dates back centuries
Nudes as art are more than just a naked body
Nude artists will often incorporate a political message into their work
The art of nude is a great source of inspiration for artists
How Figure Study Has Evolved Over The Years
What Makes Good Art?
A History Of Glamour Photography
Does One Size Really Fit All?
Fauvism Art History And The Female Figurative Subject
From Classical Art To Modern Art A Naked History
The Value Of Voluptuous Females
Artistic Nudity A National Treasure
Changes In The Depiction Of Nudity Throughout The History Of Art
Artist Theory Implied Nude vs. Full Nude vs. Pornographic What is the Difference?
Creative Artistic Expression Through The Ages
A History Of American Censorship Laws, Nudity In The Publics Eye
A History Of Erotic Photography And How It Has Developed Over The Years
Censorship Laws And Free-Spirited Activities Centered Around Nudity
Abstract Art History, It's Theory, and It's Composition
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If you enjoyed this article, please view books by American Author R.W.K. Clark
©2019 rwkclark.com
June 20th, 2024
Nudes arts are a form of art that dates back centuries
Nudes as art are more than just a naked body
Nude artists will often incorporate a political message into their work
The art of nude is a great source of inspiration for artists
How Figure Study Has Evolved Over The Years
What Makes Good Art?
A History Of Glamour Photography
Does One Size Really Fit All?
Fauvism Art History And The Female Figurative Subject
From Classical Art To Modern Art A Naked History
The Value Of Voluptuous Females
Artistic Nudity A National Treasure
Changes In The Depiction Of Nudity Throughout The History Of Art
Artist Theory Implied Nude vs. Full Nude vs. Pornographic What is the Difference?
Creative Artistic Expression Through The Ages
A History Of American Censorship Laws, Nudity In The Publics Eye
A History Of Erotic Photography And How It Has Developed Over The Years
Censorship Laws And Free-Spirited Activities Centered Around Nudity
Abstract Art History, It's Theory, and It's Composition
TOC!
Subscribe To This Blog!
If you enjoyed this article, please view books by American Author R.W.K. Clark
©2019 rwkclark.com
April 24th, 2022
Our art nudes gallery is filled with beautiful, sensual images of the human form. Whether it’s a nude in a natural setting or a more erotic pose, these galleries showcase the beauty of the naked body. Enjoy exploring the intimate side of art with our selection of art nudes.
You deserve to have a beautiful piece of art in your home. The natural beauty of our surroundings inspires our prints. The art-gallery robertwkclark.com features brilliant, harmonious artwork that can be found within. We want you to feel stimulated when you look at our prints so that you can find solace in the chaos of everyday life. Purchase one of our art nudes today and enjoy its beauty for years to come.
It is a type of art admired and appreciated by many cultures throughout history. Nudes arts can be found in various forms, such as painting, sculpture, and photography.
Nudes arts often depict the human body in an aesthetically pleasing way and can be seen as an expression of the artist’s creativity. The human body is beautiful, and nudes arts help us appreciate its beauty.
Nudes arts can be controversial, as some people may find them offensive or pornographic. However, many people see nudes arts as a form of art that should be celebrated and enjoyed. Nudes arts can be an essential part of our culture and history, and we should appreciate them for what they are.
Nudes arts have been around since the days of ancient Greece. Today, they remain popular among artists and art enthusiasts alike. Nudes are often used to capture the beauty of the human form. The lines and curves of the body can create an aesthetically pleasing image. Nude art can also be used to express emotions or tell a story.
Nudes arts will never die because the human form can be beautiful and powerful. While the demand for traditional nude art may fluctuate over time, it will never die out. There will always be an audience for art that celebrates the human body in all its glory, and as long as artists are willing to create it, nude art will continue to thrive.
April 24th, 2022
Nudes as art are more than just the naked human form. Nudes can be found in art from many different cultures and periods, and each culture has its unique take on the nude.
Nudes in art often depict scenes of love, beauty, and fertility. They can be sensual and erotic, or chaste and innocent. No matter what the setting, nudes as art always celebrate the human form.
What do you think of when you see a nude in art? Do you see beauty? Do you see sensuality? Do you see something else entirely? There is no right or wrong answer because each person interprets art in their way.
Nudes as art can be enjoyed by everyone, regardless of their personal opinion on nudity. So take a look at some nudes in art, and see what you think. You might be surprised by what you see.
April 24th, 2022
Nude artists are not afraid to show their true colors. They’re comfortable in their skin, and they’re not afraid to show it. Nude art is about celebrating the human body in all its forms and showing off the beauty of the naked form.
Nude artists have been known to use their work to make a statement about how the world perceives nudity. In some cases, they have even used nudity as a political protest.
Nude art can be a powerful form of political expression, as it can be used to draw attention to social and political issues. Nude artists often use their work to comment on body image, gender roles, sexual violence, and power dynamics. By representing the naked body in their work, they can challenge assumptions and stereotypes about what is considered “normal” or “acceptable.”
April 24th, 2022
The art of nude can be a great source of motivation for those who appreciate the human form. Nude art can be found in many different forms, from canvas and tapestries to photographs and home decor. Nude art can be provocative and sensual, or beautiful and serene. No matter what the method, nude art is always intriguing and inspiring.
The art of nude can be seen in many forms of art no matter how the world changes, the art of nude will never die. It is a timeless form of expression that has been around since the beginning of civilization. The human body is a work of art, and there is nothing more beautiful than seeing it in its natural form. Nude art is not about sex or sexuality. It is about the beauty of the human body. It is a way to celebrate our bodies and appreciate them for their masterpieces.
Nudes for artists are a source of inspiration and a great way to get in touch with your creative side. Viewing nudes can be a fun and relaxing activity, and it can also help you to improve your skills as an art enthusiast. Nudes for artists have long been an important source of inspiration. Today, thanks to the internet, artists can find all kinds of nude reference photos with just a few clicks. New nudes for artists will come from all age groups and backgrounds.
You deserve to have beautiful pieces of art adorning your walls. Robert WK Clark is an up-and-coming artist whose prints are simply dazzling and pleasant. His work will add a touch of elegance and sophistication to any room in your home. Purchase one or more of his prints today on our website!
May 28th, 2019
Landscape photography, defined as the capturing of an image that depicts an environment or specific area of land, really began at the genesis of photography itself. The first lasting photograph, taken in 1826 by Joseph Niepce, was called “View from the window at Le Gras.” It portrayed exactly what the title would infer; a view of the grounds and rooftops of buildings nearby, as seen out of Niepce’s high window in the Saint-Loup-de-Varennes, a commune in France.
Landscape photography has a rather broad definition and includes a wide array of subjects and style. Some landscape photos will depict a wide tract of land while another may show only a small flower bed. Most do not include any human beings or even the influence of humans for the true naturalist photographer. Landscape photos may be of urban settings or a natural stretch of land. All are pictures of the outdoors, although some may be taken from inside of a structure by focusing through a doorway or window.
However, a quality landscape picture comes from more than just snapping a picture of the scene in front of you. Ansel Adams once said, “Landscape photography is the supreme test of the photographer, and often the supreme disappointment.” It takes a very talented person, someone with a keen eye and sense of lighting and timing effects, to produce the best in landscape pictures. Some photographers seem to have an organic relationship with Mother Nature, which allows them to find just the right angle and the right moment for every single picture. For many, it takes years of training and practice to perfect these photographic skills.
There are three traditional landscape photography styles; representational, abstract, and impressionistic. Representational landscape photography shows the captured scenery in its most unaltered state. In this style, no manipulation is used in either the photographing or the developing and editing of the photograph. The impressionistic style uses lighting and timing modifications to produce an image that infers the landscape rather than fully recreating it. In the abstract style, the photographer uses graphics to enhance or modify the original image.
The first major set of landscape photos were taken by Timothy H. O'Sullivan, a geographical surveyor whose photographs of the western United States, taken in the late 1800s, were taken during two of his most ambitious surveys. These photos included “Harvest of Death,” a picture of the battlefield at Gettysburg littered with the bodies of dead soldiers. His pictures which captured nature in its pre-industrialized state were both beautiful and accurate records of America during the time of the Civil War.
By the end of the 1800s, the naturalism movement was gaining ground as photographers such as Dr. Peter Henry Emerson suggested that the mimicking of paintings in their photo treatments was belittling to the art form of landscape photography. Not too long after, naturalism turned into realism, as demonstrated in the works of Alfred Stieglitz. F64, a group which included well-known landscape photographer Ansel Adams, broke ground in moving away from straight, otherwise known as pictorial, photography.
These days, with the advances in technology, enhancements to photographic equipment, and the availability of image-editing software, the world of landscape photography has evolved far beyond naturalism and realism movements. We have leaped into an era where landscape photo galleries include more than majestic mountains and fields before harvest. We now have landscapes of the Moon and of underwater reefs. We now have landscapes of the dark interiors of the Amazon and of previously uncaptured events of nature like the aurora borealis against backdrops of only recently explored locations of the world.
Digitally captured and graphically enhanced images are the simple beginnings of the wave of the future. The new advances are allowing landscape photographers to provide more than just artistic records of our environment but also an image that reflects and inspires the feel of the scene. More and more artists are taking pictures of the world around them and using them to tell never before heard stories. “The landscape is like being there with a powerful personality, and I'm searching for just the right angles to make that portrait come across as meaningfully as possible,” said Galen Rowell, whose work includes “Sunset over Machu Picchu.”
Black and white landscape photography was once characterized by the production of black and white silver halide images. These days, however, the advancement in technology and the introduction of digital equipment, as well as editing software, has made it so that the photographer can shoot in color and still produce striking and dramatic black and white photos. Despite the ways that black and white landscape photography has changed over the decades, the value of this art form has not diminished.
Black and white photography possess such unique character and qualities that it is as timeless as the images it is used to capture. Early in the 1900s, landscape photography proved to be one of the best ways to document the exploration and surveying of America’s wilderness. Since that time the medium has gained much popularity as an educational tool as well, especially in teaching photography itself as black and white photos best illustrate such concepts as image contrast, highlight, and shadow.
When the topic of black and white landscape photography comes up in conversation, so does the name Ansel Adams. Although the history of black and white landscape photography does not begin or end with him, Adams was a pioneer in his field. His work effectively moved landscape photography from the record rooms to the art galleries. However, he is not, by far, the only great landscape photographer in history. There have been, are, and will be many great photographic artists producing previously unprecedented glories in black and white landscape pictures.
Before Ansel Adams was even born, photographers Eadweard Muybridge and Carleton Watkins were encapsulating the wilds of the west including Yosemite Valley and the Pacific Coast. Muybridge’s photos still appear on postcards, in books and on websites that wish to conjure nostalgia for the early pre-settled days of North America. As time moved on, in the mid-1800s, Charles Fontayne and William S. Porter began to display extraordinary talent in capturing Cincinnati’s waterfront using panoramic Daguerreotypes.
Soon after that, the Kodak camera became available, and snapshot photography became more and more popular. Artists who felt pressured to compete with the family album-making began to develop new styles and techniques in their work such as Pictorialism, a labor-intensive process which created extremely impressionistic images which were blurry by artistic intention. Even some landscape photographers, while touring the states in Studebakers, gave in to the juvenile and whimsical form of picture-taking and shot the scenery of America’s roadways through the view of their car windshields or mirrors.
With the arrival of Modernism, photographers like the brilliant Edward Weston began using depths of field that were akin to abstract paintings. In the later 1990s, the world was graced with the great talents of Galen Rowell, Philip Hyde, and Eliot Porter, most none of whom shoot exclusively black and white landscapes. Presently, there are hundreds of photographers learning and growing their craft of black and white landscape photography. The internet is littered with photos of beaches and hillsides, sunrises and thunderstorms from all across the globe. Some of it is good; some of it is magnificent. Looking forward, black and white landscape photography will continue to play its role in the fine arts as well as in documenting the ever-changing, and yet ever-majestic scenery of planet Earth.
Landscape photography over the decades has provided the world of fine art with some of the most iconic, stunning, and brilliant images known to mankind. Millions of pictures have been taken by photographers across the globe. Many of them are spectacular and unique. However, there is a small percentage that stands out among the rest, not only for the skill and artistry of the photographer but also for the impact that the image made on the world. There are a select few photographs which in some way have influenced events and people throughout history in prolific ways. Below is a small list of the most influential photographs in the history of landscape photography.
View from the window at Le Gras, 1826
When Joseph Niepce created the first photograph, it was itself a landscape of sorts. While fuzzy, due to the 8 hour long exposure time needed to create the image, it obviously depicts the skyline of the city and the rooftops of the buildings nearby. It holds a place at the top of this list for its groundbreaking existence mostly. This was the genesis of photography as a means of record and as an art form.
Oceana, 1936
Edward Weston has always been known as a great landscape photographer on the whole but was never given notoriety for any individual piece until recently. His photo of the sandy dunes, Oceana, was not a ground-breaking photo until computers came on the scene, image and graphics software in particular, and this photo became a household staple. It is the base photo for hundreds of screensavers, wallpapers and memes on the internet. It has been digitally edited and enhanced in numerous different ways and has served as an inspiration to thousands of digital and graphic artists.
Tetons and the Snake River, 1942
Ansel Adams is known for his intense, black, and white images of the planet's landscapes. While his repertoire of amazing nature-embracing pictures is filled with masterpieces, this photo of his, once dubbed “the photograph that saved the planet,” is a perfect example of the lasting impact a picture can make on history. The picture helped to fuel a global movement for the protection and preservation of Earth’s environment, which sparked the formation of organizations and events still thriving today. Adams’ work inspired a new way of viewing our planet and how we treat it. He used this and several others of his photos to raise environmental consciousness around the world.
Earthrise, 1968
This photograph, although taken by astronaut William “Bill” Anders, of the Apollo 8 space mission, rather than by a professional photographer, heavily impacted the perspective human beings previously had of the Earth within the universe. This photo gave us a view of Earth as had never been seen before. It was like the language of the cosmos was translated through this extraordinary image. It also gave rise to a new variation on traditional landscape photography. Images of what lies beyond the skies began to emerge, and space was no longer a distant frontier for the photographer who could get their hands on a telescopic lens.
Photography, like everything else in the arts, continues to grow and change as new techniques and technologies are developed. However, the story wordlessly expressed through a single photograph is one that makes a lasting impression. It is one that makes a lasting impression on your soul. This list reflects the evolutionary journey of excellent landscape photography up to present times. The artistic endeavors of photographers, as well as the scientific advances and breakthroughs yet to come, all promise a gleamingly bright future for the spectacular photographic capturing of our amazing and awe-inspiring world.
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©2019 robertwkclark.com
May 28th, 2019
For as long as humanity has existed, so too the need for creative self-expression through art. As long as there have been people expressing themselves, there have been others who would suppress that free expression. This is censorship in its simplest form; the suppression of any form of expression that is considered objectionable, politically incorrect or harmful as determined by institutions apart from those sponsoring the form of expression. Censorship is usually applied to anything that is deemed to promote or represent conflict, injustice, or anything lacking in morals or decency. Artists are often the first to be targeted by censorship and especially when in situations where the topic of nudity is presented in the question. In regions where politics and propaganda rule, artists present a dangerous unknown. So-called “harmful to minors” standards are applied to shield children from material such as commercial porn. As there is no established legal definition of pornography, it is very hard to draw a line between the two. A working definition could be that the sole purpose of pornography is to create sexual arousal and that art has many layers.
Anthony Comstock 1844-1915 was the pioneer of modern American censorship. Starting with an 1868 police supported raid on a bookstore in New York, in a futile attempt to eradicate. The federal anti-obscenity law of 1873, in part inspired by Comstock, banned items "for the prevention of conception." As a special "postal inspector," he abused his powers considerably by raiding the Arts Student League in New York in 1906. He once cautioned that "obscene, lewd and indecent" photos are "commonly, but mistakenly called art." Dwight D. Eisenhower said, “Don't join the book burners. Don't think you're going to conceal faults by concealing evidence that they ever existed.”
Censorship of nudity in art
The history of the nude in art, traditionally starting in the classical period 6th - 5th century BC should be pushed back to around 30-25,000 BC. Indian temple art, some dating from at least the 1st century BC, often depicts voluptuous female nudes. There are two typical qualifiers for that. One is that historically, the nude is mainly a phenomenon of Western art. The other is that from very early on, the nude male and the nude female are treated quite differently and have different roles to play. When Christianity began to take solid root, the portrayal of nudes diminished. For centuries, the only nudes permissible were religious art. Art is capable of provoking debate, unrest, and protest. Art seems set to continue to attract the attention of those who would prefer it to be silenced.
Most nude art, before the 1800s, consisted of male depictions or, often time, modified male subjects to represent females. In today’s society, however, nudity seems more often as wanting to obscure the fine line between art and erotica. Nude depictions have often been used in symbolic ways, as an extended metaphor for a complex and multifaceted concept. Tales and stories from mythology once depicted naked gods in different paintings, such as the scene where Leucippus daughter is abducted by Castor and Pollux. Many art studies were rendered before creating a final project using the nude physique as a template. Studies tracing as far back as Italian Renaissance are used by artists to understand the problems involved in the execution of the artist's subjects and the disposition of the elements of the artist work, such as the human body depicted using light, color, form, perspective, and composition.
Four years ago, a French schoolteacher tried to post a picture of L’Origine du Monde by Gustave Courbet. Facebook’s moderators nixed it, and the teacher sued Facebook in court over its choice to take “L’Origine” down. The case has big implications for American social media companies and their moderation policies. The site also, at one time, suspended New York art critic Jerry Saltz over the “offensiveness” of a few medieval paintings. Previously, Facebook has censored work from institutions as diverse as the New York Academy of Art and the Centre Pompidou. Richard Corliss said, "Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and challenging surface than the skin around a soul?"
Censorship of nudity in literature
In response to the writing of philosophers and religious theorists, such as Martin Luther, in 1559 the Roman Catholic Church issued the Index Librorum Prohibitorum. This list contained the titles of books which were to be banned for their ideological content. The index issued 20 times throughout the past centuries with is most recent release in 1966. Censorship played a huge role in the nineteenth and twentieth centuries as well with the banning of “inappropriate” books by librarians, as well as teachers, to supposedly protect the innocence of children. William O. Douglas said, “Literature should not be suppressed merely because it offends the moral code of the censor.”
Censorship in literature has a long history beyond Comstock’s reach as well. A sex education book, meant to teach children 10 and older about emotional health and relationships, sexual health and pregnancy for children, titled It's Perfectly Normal, was one of the books banned over the past two decades. It contains some areas which regard puberty and sexual orientation as well as color pictures of naked people, by illustrator Michael Emberley. In 1981, at Gastonia, North Carolina, The Living Bible was banned as well. Other books banned for nudity, either in the books illustrations or discussed in the content of the book, include My Mom's Having A Baby! A Kid's Month-by-Month Guide to Pregnancy by Dori Hillestad Butler, Brave New World by Aldous Huxley, What My Mother Doesn't Know by Sonya Sones, The Perks of Being a Wallflower by Stephen Chbosky and In the Night Kitchen by Maurice Sendak to name only a handful.
Censorship of nudity in media and entertainment
The entertainment industry has long suffered censorship, even nudity despite being a predominately auditory art form. As a society, we have always singled out people, whether due to their race, sexual orientation, or political views. This is no different in the film. Within the golden age, Mae West 1893-1980 was seen as a victim of censorship. Her sexual past made her a target and a risk to the Hay's Office; making her 'golden age' turbulent. The film and television industry has a built-in form of censorship through their rating system, said to have been created to protect the innocent and immature. In 1922, out of fear that government regulations were soon to come, the Motion Pictures Producers and Distributors Association, an industry lobby, and trade organization, headed by Will H. Hays, who thwarted the first attempts of the federal government to impose censorship on the film industry.
Häxan was the first film to be banned in the United States with nudity as a part of the grounds for the ban. Several films have been, and even in our liberated times, continue to be banned around the world. Another film banned in the United States was Promises! Promises! in 1963. Since then, due in part to the implementation of the film rating system, although films have been banned in the states, nudity has not been one of the themes regarded in the decision. Although some directors and film industry professionals would argue that the rating system itself is an unjust form of censorship, others support the system fully and believe that its existence actually allows them more freedom in their work.
Video games have also seen the rugged edge of the censorship cutting tools. In Kuwait, The Order: 1886 is banned. In Saudi Arabia, God of War, Heavy Rain, and L.A. Noire are just a couple of the video game titles on the banned list. In the United Arab Emirates, a branch of the government, called the National Media Council (NMC), controls the media and entertainment industry and has banned dozens of games, including Dead Rising 2, Godfather II, Mafia II, Red Dead Redemption, Catherine, and Heavy Rain. Most recently, in video games, the award-winning Papers, Please, border agent simulator game, is making some changes before its release. According to Lucas Pope, via Twitter, the nudity in the game had to be removed because Apple deemed it “pornographic content.”
Album covers and music videos alike have been the cutting ground for censorship. The original nude cover of Yoko Ono and John Lennon's album Two Virgins provoked an outrage. The artwork of Cannibal Corpse, a death-metal band, has been censored at some point, due to graphic imagery and occasional nudity. While German heavy metal band Scorpions' album, Virgin Killer’s, the artwork had to be changed altogether. The original cover showed a nude prepubescent girl. My Beautiful Dark Twisted Fantasy's, Kanye West's album, featured original cover artwork of a man having sex with a phoenix (both nude). Two alternative versions were made for album distribution. The first showed a ballerina holding a glass of wine. The second, the cover that appears on iTunes, shows a pixelated version of the original artwork. The sheer number of music videos which have an “uncensored version” is a demonstration of the rampant plague of censorship in the industry including, recently, Robin Thicke’s Blurred Lines.
Global censorship of nudity
The Old Testament of the Bible states that the Hebrews burned the prophecy of Jeremiah. Confucius's writings were incinerated after a change of dynasty made them politically incorrect. 399 B.C. Socrates was charged with controversial teaching methods corrupting the youth of Athens with his words and drawing them away from the Greek religion. Socrates was sentenced to death for his actions. He was forced to drink a liquid poison. Even to this day, the "guardianship over the innocence of youth" theme is repeatedly upheld by censorship advocates. During the time of the ancient Roman Empire, censorship became an increasingly official duty. It was in Rome that “censor” was first inscribed. The title of censor was given to a Roman government public official.
The 17th and 18th centuries, commonly called the "Age of Enlightenment," in Europe, freedom of expression became the hallmark of the period, and it brought about a loosening in the laws, to some extent. Sweden was the first country to officially abolish censorship in 1766. In 1790, the first amendment to the United States Constitution, guaranteed freedom of speech and the press considering it two of humanity’s most precious rights. Established in 1922, the central censorship office, known for short as Glavlit, had absolute authority to subject the performing arts and all print media to preventive censorship and to suppress political dissidence by shutting down "hostile" newspapers. Libraries were too often the target of heretical attacks like the complete destruction of the University of Oxford library in 1683 and the destruction of Albanian-language collections in Kosovo libraries throughout the 1990s. By the nineteenth century, the first wave of state-sponsored censorship had largely ended in Europe, and had never been firmly established in the United States, public concern for morality and safeguards against offensive literature continued.
Russia has a long history of strict censorship. There was one short-lived period of tolerance and intellectual freedom, under the reign of Alexander II. From 1917 to the end of the 1980s, Russia was governed under a strict censorship rule. Under the Nazi regime, Germany also experienced a period of strict censorship. All media, public events, and even private communication were censored by the government, mostly by Joseph Goebbels, the Minister of Propaganda. While leading a massive book burning in 1933, Goebbels tragically declared, “From these ashes will rise the phoenix of the new spirit.”
Cultural censorship of nudity
Many cultures throughout history have taken as many different views on nudity. In many countries, public nudity is outright forbidden. The Adamites, a Christian sect that practiced holy nudity, date back to the 2nd century AD and is now banned in many places around the world. While in other ancient cultures, such as ancient Greece, nudity was a regular affair throughout the day. Even the first Olympic Games were included events performed in the nude. It wasn’t until their revival in the 1800s that clothing was required. It is believed that the gymnosophists, ancient Indian aesthetics who regularly practiced nudism, were of great influence over the Greeks. A Hindu sect of India, called the Sakas, was also known to practice rituals, prayers, and ceremonies in the buff. However, in ancient China, nudity was generally viewed as a matter of class standing. Nudity was acceptable among the lower classes, but among the higher classes, nudity was considered wicked and the household servants, who were often partially nude, were considered to be subhuman.
History is replete with accounts of Western culture stretching its reach right to the core of native tribes; essentially forcing our modern day hang-ups regarding nudity and sexuality on these tribes of people and their cultures. By being told repeatedly that the Western definition of decency was the standard by which humans ought to be measured, most natives would succumb to our influences and traditions such as wearing clothing. As of 1988, a primitive and naked tribe, the Yanomamis still populated the area of Roraima in Brazil. However, they are in danger of extinction because the government has discovered gold and diamonds on their land. The Yanomami are the largest known isolated tribe on Earth. The Tupari tribe of the Rio Branco, are another example of anti-clothing aborigines. Tibor Sekelj wrote: "It is no wonder that the Tupari never created any kind of clothing, for the weather is always warm. Their natural nudity fits perfectly into the framework of their surroundings and, except for ceremony or decoration, they never think of covering themselves."
General notes on censorship of nudity
A familiar example censorship these days is the use of pixelization can be found in television news and documentary productions, in which vehicle license plates and faces of suspects at crime scenes are routinely obscured to maintain the presumption of innocence, as in the television series COPS. Bystanders and others who do not sign release forms are also customarily pixelated. Footage of nudity (including genitals, buttocks, and nipples) is likewise obscured in some media.
Censorship opens up much broader questions about the role of art as truth as well as the implications of constrained expression. Tate director, Nicholas Serota, at a May conference on censorship, stated: “We can probably all agree on many of the principles that we seek to uphold. What’s actually much more difficult is to recognize that there are no easy paths, that there are no guarantees by which, and through which, we can preserve this hard fought for the right for the freedom of free expression.”
For as long as there has been censorship, there have been those who fight against. As Albert Einstein once mentioned, "Great spirits have always encountered violent opposition from mediocre minds." In 1973, the National Coalition Against Censorship (NCAC) was formed, in part, as a response to the Supreme Court decision in the Miller v. California case. Other civil rights organizations, such as Amnesty International, have joined in the mission of fighting censorship as well. Several more have formed recently with a specific interest in protecting the internet from censorship. The debate over whether or not the internet needs censorship has become an ongoing and passionate one, from both sides of the argument. Shelley Winters, in two wonderful sentences, eloquently illustrates the human dichotomy of the censorship argument. She said, "I think on-stage nudity is disgusting, shameful and damaging to all things American. But if I were 22 with a great body, it would be an artistic, tasteful, patriotic, and progressive religious experience.”
Recent news regarding censorship of nudity
Today censorship, especially the censoring of nudity, is an appealing topic of discussion for the people as well as for the media, including social media specifically. As mentioned before, Facebook, in particular, has an extensive, albeit short, history of censoring nudity of all varieties, especially in photos. The strange world of Facebook's image and the post-approval system was opened up recently through an information leak. It proves that the purportedly arbitrary nature of picture and post-approval actually has a "meticulous—if faintly gore-friendly and nipple-unfriendly—approach." In 2013, people from the ACLU discovered that Facebook’s ‘chest-recognition detectors’ are fully operational. One of their recent posts, about a bronze statue of a nude woman taking a picture of herself with her breasts exposed, was morally unfit for Facebook. Also recently, Facebook took down a Liverpool mother’s photo for violating the site’s nudity policy.
Despite the resilient efforts to control internet content, there is a new content concern born every day. The “new parenting craze” on social media networks is posting breastfeeding selfies. The internet, because it is not singularly controlled, is an open forum for discussions and images of all kinds. The further we, as a species, advance in technology, the more of these types of concerns will appear. The solution is communication and empathy. Hillary Clinton said, “Both the American people and nations that censor the internet should understand that our government is committed to helping promote internet freedom.”
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©2019 robertwkclark.com
May 28th, 2019
Figure study is an act of drawing the human body in a certain medium, whether it be drawn or painted. Most of the time, figure study is practiced with the subject, or model, without clothing; however, it is not limited to just nudity considering artist have practiced figure study fully dressed. The human body has been the subject of many different types of artwork over the years in all mediums all over the world; commonly referred to as figure study. Dating back to prehistoric times, figure study is considered by many to be the best way to learn to draw in terms of anatomy, overall accuracy, and help the drawings have depth instead of seeming flat and not rounded and curved like a real human. The body has many curves and lines that make light reflect and bounce in specific contours that are unique to the model. This can be rather difficult to replicate in drawings and paintings. Live models tend to be the norm when it comes to the preferred reference, but exceptions such as statues are used as substitutes when models are unavailable. There isn’t a wrong way to approach figure study. However, most approach it straight forward and draw what they see in front of them, while others draw a skeleton of sorts, followed by the muscular system, and then finally the skin and such. Others have been known to approach it differently and use geometric shapes in place that help to build onto the figure from there. Other than drawings, figure study has evolved from paper to other mediums.
Paintings were among the most popular and first fine arts to begin practicing figure study. Like with drawings, painting has been around since prehistoric times, though very rough at first and not as well constructed as the figure art in modern time. Egyptians were among some of the first that truly began to add detail to the figure studies. Along with Egyptians, the Ancient Greeks and their depiction of gods and goddesses, and many Asian territories that depicted Asian calligraphy and historical figures on scrolls, which showed how the foundation of figure study was evolving over different periods and cultures. However, because of how long ago these pieces of art were made, a lot of the early figure studies never had a chance to be preserved for safekeeping, and as a result, a lot of early Pre-Renaissance artwork has been destroyed or lost. During the middle ages, figure studies continued, however nude figures were taken out of the pieces. Around the middle ages is when the Christian religion was practiced in huge numbers around the world, and the idea of celibacy came into effect greatly among many people practicing the faith, and the concept of human figures depicted in the nude was shunned upon. One of the only exceptions of this rule at the time was the works that depicted Eve in the garden of Eden, Mary Magdalene, and paintings that depicted the Virgin Mary, or the Nursing Madonna. It is unclear as to why this was decided originally, but it is believed that the idea behind leaving certain biblical figures nude is because of the representation of the certain individual being defenseless in the scenarios surrounding the character.
It is believed that the Renaissance era was when the figure study became organized and perfected with realism. When nude art became acceptable again in a sense, the depiction of a woman was very different than it previously was with Hugo van der Goes paintings of women. Early paintings depicted models as very masculine and fit in a sense. However, Goers' figures were presented as to how figures are in reality. Figure study over the years eventually revealed how our bodies really are and how every curve and contour we possess is not depicted as the perfect figures before. Other than Leonardo de Vinci and Michelangelo in Italy, most do not know that Rogier van der Weyden from the early Netherlands and Matthias Grünewald from Germany where practicing figure study as well. Both Weyden and Grünewald's work consisted of mostly religious iconography involving the Crucifixion of Christ. It appears that during the Renaissance era, most if not all followed de Vinci's rule when it comes to the basic form of figure study and the proportions of the human body. As time went on, most did not seem to stray away from de Vinci's template. However, artists began to work more with lighting. Paintings down the line seemed to get more and more details because painters began working around different lighting and observed the way the shading and shadows worked on a human body.
It is said that paintings depicting females were painted using males as the models and simply give the model feminine features after. A drawing by Michelangelo called the "Study of a Kneeling Nude Girl for The Entombment" proves this because of her flat chest and boyish figure. Regardless of the model used, this drawing is considered by many to be the first nude female figure study. It is written that this practice of male models lasted many years, but fellow Renaissance painter Raphael Sanzio da Urbino is the first painter to use actual female models for his paintings. In the 1600s, painters began using female models for females depicted in paintings. Even though the practice of depicting figures accurately in paintings was becoming more frequent, many artists still preferred to portray their figures as fit and idealistic. Artists soon began merging the two together; by not exaggerating the perfect curves as much and leaving the natural contours and such that were present on the live models. As far as how the models posed and were presented, all were shown posing in specific ways and at very specific places. In the 1800s French painter, Édouard Manet began experimenting with the idea of depicting models not only how they naturally appeared but models appearing in everyday situations. One of his paintings, known as the "The Luncheon on the Grass," caused a lot of uproar among the public. The painting depicted two females and two males; both men are seen seated as one of the females is shown bathing in the back and the other seated nude between the two males. Many artists took a liking to Manet's ideas, and soon after, paintings depicting females in casuals situations became the norm. Around the time the invention of the camera appeared pioneering artists shifted focus from canvas paintings to camera work. Painting Figure study is in no way dead. However, it just isn't as popular considering the advancements in modern times. The figure study now is very different, though. Most simply it exaggerates the models into their own style in favor of realism. Even though realism figure study isn't as popular, all fine art classes still encourage students to practice and learn realistic figure study and build up their knowledge of the practice and convert their learning into their own style.
Other than painting and drawing, the sculpting of the human figure was another practice that dates back to the Egyptians and the Greeks. Many artists desired other methods to study under and began sculpting figures in many types of stones, woods, and in more modern times, welding of metals. When it comes to figure study in sculpture form, Greek gods and goddesses are among the most popular. In ancient Greek paintings, it shows how they had a basic understanding when it comes to the human body. Considering how long ago the art was created, it is unaware if these sculptures came from a live model or not. Over the years, the materials to create these figures have changed as well. Many tools were originally types of metals, bronze, and even different types of bones. Tools soon began to evolve as metal forging became more perfected. At the time, many of the figure studies that were stature were for beliefs. Egyptians and Greek made these pieces of art to honor their respective gods, rather than for self-expression and such. One major observation a person can make about these two types of art pieces; in the early days of figure study in sculptures, the models were depicted as extremely fit and on the strong side. It is believed that many people saw these traits as the popular figure that both males and females alike preferred and saw attraction in. It is unclear as to how these figure portrayals became the preferred by many people, but it is believed that many people who were not of royalty in those times were workers, which cause them to build muscle over time. People say that having muscle clearly meant you were stronger in terms of being able to lift heavy objects. As a result, sculptors began figure study around workers body's to apply the strong figure on their gods.
Another very popular method of figure study is photography. Ever since the first camera, photographers have been taking photos of people. However, in the late 1800s, many people declined to agree that photography was a fine art until much later. At the time figure study, or nude study was very different; which often featured women over men models. Early photographers such as Gaudenzio Marconi and Jean Louis Marie Eugène Durieu often took monochrome photos of models posing in particular ways that appeared inspirited by the many poses of Greek mythology. Considering figure study with photography featured real models over figure study drawings that just featured sketches of the models, the nude study was controversial. Many photographers at the time got around the issues by stating that their portfolios consisted of figure study references for drawings and paintings. Many did, for a fact, use them as such, while others used the excuse as a way to continue their choice of fine art. Over time, many people would criticize nude study and say it was simply for sensual purposes and nothing more. It is true that some may indeed be, however not all are meant to be. Some artists make artistic nude pieces without the intent to arouse or to be erotic. Many artistic nude photographers seem to intend the satire, surreal, or expression of oneself present to be the main idea or thought behind the piece. Similar to how objects from a certain shape and people look at it in abstract ways, nude photographers express this by appreciating the shapes and forms that a model can make and pose in.
In the early 1900s, the nude study began to gain respect with the help of Rudolf Koppitz and Alfred Stieglitz, who dedicated their lives to help photography become accepted by the public as a fine art form. Photographers began to move away from the classical Greek mythology look and began to experiment with more stylized looks that emphasized on abstract expressions and natural, or real-life appearances using reflective distortions and many other printing techniques. Aside from that, the use of male models became more frequent as well. Using both males and females as models began to help drive the point across that photographers attempted to express idealism and the act of becoming comfortable with oneself with the stylized photos they took. Other than including models of both genders, the art form grew as photographers began stylizing not only on the models but also the backgrounds. Models began appearing photographed in front of huge landscapes and other locations in nature that gave interesting lighting effects and helped bring out the contours in the model's curves. The backgrounds also helped set up any types of tones or moods that helped the photographers vision in the art piece. Alfred Stieglitz began displaying his nude study photography in his galleries in the early 1900s, causing many art critics to gain interested and infatuated with the new art form for figure study. An interesting fact about Stieglitz is his view of photography in that he tried looking inside of a person, rather than simply photographing the person, and captured on camera the inner and purest form and beauty of a model to push forward the life we have. Another interesting photographer was female photographer Imogen Cunningham, who is one of the most important figures in nude photography as she is the first woman to take a fully nude photo of a male, as well as being featured in the first full-frontal adult nude photo to be published in Life Time magazine alongside model Twinka Thiebaud in 1976. Regardless of this, Imogen main style of photography was taking sharp focused photos of objects with a group of photographers named Group f/64, which takes its namesake after the camera aperture used for this style of photography. As photography began becoming even more respected, other photographers began experimenting with many other types of techniques to make unique and distinct styles to call their own.
A visual artist named Emmanuel Radnitzky, who went by the name “Ray Man,” was one of the artists who inspired many with his “Rayographs” style. Ray Man began taking photos on strips of film that had their tones partially flipped or on negative sheets of film; which gave the models a slight glow and at times a surreal look. This process is known as Solarisation in modern time, and many people practice this effect today in the digital era by simply desaturating photos and inverting it afterward. Many surreal artists from that time soon took a liking to him because of the odd effect the process presented and many photographers such as Maurice Tabard, who would overlay multiple photos that were solarised and would create haunting surreal photos. Raoul Ubac, who would photograph groups of models in odd and pliant poses, as well as single models glancing unnervingly, on negative film strips. It’s regularly debated if these styles of photography are considered figure study since these styles seem to focus more on the odd surreal looks over actually trying to capture the simple shadings and contours of a model. However, considering the models appear nude in the photos, there still appears to be an appreciation on figure study.
Many photographers at the time seemed to use medium formatted cameras, however photographer Edward Weston soon began figure studying with different cameras. Weston used a 4x5, and later on 8x10, which could capture movements at a quick or rapid speed, using model Helen Charis Wilson over a large span of his career. In 1937, Weston established photography as a fine art by becoming the first photographer in history to win a Guggenheim Fellowships award.
Just like when the camera came out, the video camera was an opening for new opportunists, and a new medium as well. Many artistic films that featured nude study began to emerge. Film manipulation was treated similarly, the way camera film was, which included recording entire movies on negatives and splicing together layers of film to create certain effects. As technology advance more and more, figure study in the film became very simple considering the film was replaced by digital. Like with photography, many people were unaware at the time what is considered adult filming, and what was considered art. Some figure study in the film can have sexuality present, but like with photography; if the sensation isn't meant as the main idea or thought behind the piece, then it is not categorized as an adult film. Another way figure study in motion has been depicted was in performing arts. Again, much like photography; people have challenged the theory that performance arts are not really an art form. Most performance arts are acts that express feelings and ideas in sometimes surreal and in odd mannerisms. With film figure study, the viewer is really limited with their learning abilities in terms of studying the models; however, in performance pieces, they are usually performed in front of crowds of people, and the views can witness the figure study first hand directly in front of them. Many performance acts are pieces of very strange and odd mannerisms for that exact reason; so the viewer can see how the model can actually move and what the human body is capable of.
Today in modern times, many of the practices and styles from over the years do indeed shine through in all photographers. Modern artists like early photographers have models lit in a way that really shows off the contours and curves of the human body, as well as some abstract poses and lighting. Considering how much work and study goes into figure photography, there is no denying that how true it is that you don’t take a photograph, you make it.
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©2019 robertwkclark.com
May 28th, 2019
That seems to be rather a simple question, yet everyone that actually got around to answering it would give a different response. Some responses would be long and complex, while others would almost certainly be shorter and really simple. In that respect, it would be similar to the wide variety of art that viewers could look at while they are deciding what is good, and what is bad.
It is possible that every single viewer could have a completely unique take on what they feel is good art. With art at it's best attempting to get emotional responses from people, judgments about good art based on feelings instead of logic or reason could be regarded as holding greater levels of validity.
It is undoubtedly easier to agree on a definition of what makes good art than it would be to draw up a complete consensus on what precisely happens to be good art. Furthermore, if art is not good art, then it could be bad or great art instead. An objective agreement can be achieved in defining what art is, yet defining what constitutes good art ends up whether intentionally or not, far more subjective. It becomes subjective as pieces of art mean different things for different people, what people feel about art in that respect is just as important as the meaning the artist put into their pieces of artwork. A viewer that adores or loves a piece of art believes that it is good art as it got a positive response from them as soon as they saw it. Conversely, one might see a painting or sculpture that they do not like yet still appreciate it so they would not describe it as bad art just because they did not like it.
Besides meaning, artists can attempt to put experiences into what they produce. Their art is based on their knowledge, and they want whoever looks at their work to share or at the very least, understand such experiences. Those experiences may have been good, or they have been bad, yet they were possibly turning points, and the more extreme those experiences were, the more extreme the resulting piece of art could have been. Grief, heartbreak, love, and loss can all be regarded as such personal turning points, and thus from time to time have a powerful impact on the work produced by artists. Such profound events could alter an artist's style may be for just one piece of work, or for everything they do until they retire. Expressing and sharing experiences makes art more meaningful for the artist, and providing the viewer to tap into the shared experiences, which is potentially more rewarding for the viewer.
It makes the viewer have an insight into what the artist felt and believed at the time they produced their artwork. Perhaps if the viewer had the same artistic skills and had similar experiences to the artists, they may also have produced similar pieces of art. A viewer that understands where the artist was coming from is far more likely to appreciate the completed works, and consider them to be good art, or maybe perhaps great art. If you feel that you would take it home and hang it in your living room, providing that money was no object, of course, then it is a good piece of art. If you could constantly stare at it and notice something new about it every time that you did so.
The consensus is hard to arrive at about how people react to art. For example, the majority of people discussing art would agree that Constable, Da Vinci, Monet, Picasso, Van Gogh, and Turner produced pieces of art (these names were picked at random, and you could come up with plenty of alternative names). Yet it is less likely that these same people would agree that all these artists had produced good artwork. It would be surprising if people actually liked all the art created by all of those artists. A viewer would have to have really diverse tastes. Although at best they could admire what those artists had all achieved as individuals. Their combined works certainly portrayed a whole host of different objects and events, ranging from hay wains, the Mona Lisa, the bombing of Guernica, sunflowers, through to the earliest models of steamships. So viewers that liked all those objects to be painted certainly have broad tastes.
Now people might like the paintings and other pieces of art made by such artists, but the better-known pieces you have to settle for having a reproduction at home. For some of them, prints are relatively easy to come by. Yet owning the real thing is really unlikely to happen. Still, there is no harm in hoping for a huge lottery win to change everything forever, and possibly turn you into an art patron for contemporary artists, the ones that succeed in capturing your imagination with their work.
Some art collectors are more interested in owning art as an investment and are more interested in making a profit from it instead of buying a painting they like enough to describe it as being good. Such collectors can completely miss the artistic merits, and artistic value of contemporary artists while they are searching for the long lost work of a dead master to sell on for a large profit. It is not particularly fair for contemporary artists that their best works fetch less money than a lesser-known work by Constable, Monet, or yet another It would be no consolation for Damian Hirst for example that his art will be worth far more money after he is dead. His art has certainly caused debate, with viewers divided between those that hate it and those that love it. To generate such an amount of discussion, he has to be doing something right if you are part of his fan club, or something wrong if you are part of the detracting club. Love him, or hate him, any viewer that takes their art seriously cannot ignore him.
Some artists have been lucky in that critics, and art buyers plus members of the public have accepted their worth as artists during their own lifetime. Some artists have been considered producers of great art and not just good art while they were still alive. Thus able to enjoy the fame and fortune that came their way. That is a fortunate position to have been in, and most artists do not quite make it that far. It is more likely that artists have sometimes produced work to make their living instead of creating what they themselves considered to be good art. Still, that does not mean that the art made under such situations is bad, as artists should have enough professional pride to maintain the quality of their work. It just might show that they did not put all of their heart and soul into making it. Anybody that is doing a job that they do not enjoy only to pay the bills can relate to that feeling though. You are just doing enough to get the job done. However, for all, we know that could have been Da Vinci's frame of mind when he did the Mona Lisa. Perhaps if he had painted her with a big grin on her face, viewers would not have rated the painting so highly for the last five hundred years.
Artists such as Da Vinci and Picasso certainly achieved accolade for being great artists when they were alive, even though people may not have fully understood their works. The ideas of Da Vinci were really advanced at that time, while Picasso liked to be abstract in terms of what he painted. They certainly followed the golden rule that defines good art, they made people stop and stare at their artwork. Da Vinci was responsible for producing perhaps the most well-known painting of all, the Mona Lisa. It is a piece of art that has been discussed ever since it was first seen in public. The constant fear that the Mona Lisa could be stolen means that it is surrounded by so much security that the viewer may find it difficult to see it clearly. It is not the biggest painting ever produced, maybe Da Vinci would have argued that it was small but perfectly performed.
Unfortunately, poor Vincent Van Gogh did not achieve that golden rule until after his death, as nobody stopped long enough to stare at his pictures of what they considered to be mundane objects like chairs and sunflowers to appreciate their artistic traits and excellent techniques. When it came to Van Gogh while he was alive, people only discussed his sanity (the implication being that if he had any, he would have painted something else), and never considered the merits or otherwise of his paintings. The point here is that some artists have redefined what art means, yet may not have actually benefited from the changes they helped to bring about themselves. The subjects he painted may have been mundane, yet how he painted chairs and sunflowers was revolutionary in terms of style and technique. The problem was that by the time that critics and viewers had noticed his artistic merit and the artistic value he had given up hope of ever selling a painting that he already killed himself.
At it's a most basic level of art. It is meant to depict something, sometimes meaningful, sometimes not. Now some works of art can be considered technically brilliant by art critics yet cannot realistically be described as good art as they fail to make people stop and talk about what that particular piece is showing them. Now sometimes artists want their work to make profound statements while at other times they are simply completing a commissioned piece of work. In those instances, they are producing exactly what the patron has paid them to create. The artists are only seeking the appreciation of their patron. Commissioned pieces of art may be seen by the public if the patrons decide that they wish to have it displayed at a gallery or an exhibition.
Privately commissioned art tends to be something that the patron wants to be made, sometimes for public display, but more often than not for private viewing and appreciation. Yet sometimes the best way for artists to gain lucrative private commissions is to have previously produced work that has generated media or public controversy and debate over what exactly is art, good or bad. Media coverage is bringing attention to particular pieces of art, which in turn makes people want to view it sooner rather than later. Present day artists have a tendency to produce controversial work once they have entered competitions to enhance their chances of winning the top prizes. The galleries and organizations which run the contests consider the amount of publicity they gain if they award prizes to the most shocking entries. Publicity attracts visitors, and the media can obligingly tempt viewers to go along and find out what all the fuss is about. Everyone is a winner, the gallery has more visitors, the artists have a greater interest in their work, and the viewers get to discover new art they may love, or they may detest. Yet if viewers are discussing the art, they are evaluating it in greater detail, and something completely different will eventually start to grow on them. Good art can be a slow burner instead of something you instantly love, but every time it is viewed, you get a different experience.
Controversy equates to publicity, so institutions like the Tate Modern are not averse to artists entering their genre redefining designs to win the contests. All the parties concerned get extra amounts of publicity, and the gallery or museum gets more visitors to look at the objects which cause the controversy. People may disagree about whether or not a cow sewed in half, or an unmade bed is an art, yet it gained the respective artist's publicity and were widely debated. In any case, producing controversial work can be defined as good art because discussion extends the boundaries of all our understandings. If something has changed our belief that in the majority of cases has to be a good thing and thus be good art.
Besides, all forms of art were new at some stage, different things have to be attempted. Some art may not be to our personal tastes, yet that does not mean it is without any kind of merit or artistic value. Definitions of creative expression are just as likely to change from one generation to the next, just like other aspects of culture, and society. Art is subject to the evolving trends and fashions, yet not all artists and viewers want to be fashionable. Instead, the artist wants to produce art that they like to create, and the viewer would prefer to view art in the style and genre which they consider to be the best, and allows them to admire good technique rather than bad art.
Now, most artists regarded themselves as being free agents, and therefore they were free to produce art which they wanted to show. Furthermore, they could depict anything that was related to any object, or subject of their choice. This is mostly true, although art can be subject to censorship, and in dictatorships artists that did not adhere to what the regime wanted were banned, imprisoned, and in extreme cases killed. In Western societies with lower levels of censorship, artists have more opportunities to produce work that will maximize their levels of artistic merit and value. Less censorship means that patrons and viewers are more likely to get what they consider to be good art.
Assuming that artists were able to evade censorship or lived in a country which had more relaxed rules, then they could produce work that expressed their feelings and demonstrated their merits as an artist. Artists have formally belonged to or felt strongly attached to specific art movements. Influential art movements have included modernist, post-modernist, and impressionist, just to name a few. Even if an artist identified himself, or herself has been part of an artistic movement, that sense of belonging that did not completely dictate how exactly pieces of art should be painted, or sculpted. After all in it's truest form, art should encourage individualism both from the artists and from the viewers who are free to decide what they like and dislike in terms of art.
While Monet and Munch are both linked to impressionist, their works notably differed from each other as well as from other impressionist artists. Styles can differ from one artist to another, yet they can still be seen to produce work, which held things in common. A piece of good art can show that it has been influenced by other artistic works yet still remains unique and true to itself. Being different means that it has originality, and that gives a higher chance to have been considered good art as it stands out from other pieces of art.
The best-known artists have tended to produce work that even after the quickest of glances you could tell had been done by them, and not by any other artist. Good art should be something that stands out instantly from any other piece of art, which has come before it. Just as importantly, it should differ from all subsequent pieces after it has been produced. When each piece of artwork differs, it allows it to stand out and gain recognition for its own artistic value instead of been considered a poor imitation of somebody else's ideas and work. In any case, artists gain more merit from being original than from imitating others. When art has been produced by studios, those studios have not always named who the individual artist was, so the pieces are counted as been made in the name of the studio alone.
To be counted as good art it should really do something to grab people's attention, to stop individuals dead in their tracks, to look at what is in front of them and then have to concentrate on examining its meanings, obvious as well as hidden. Sometimes art pieces do have hidden images or messages within them.
Some information can be gained from doing a little bit of research about what grabs the attention of viewers. After all, pieces of art can actually tell people things about what was happening at the time in which it was produced. It is also worth considering what was happening to the artist at the time they were creating each and every single piece of artwork in their portfolio. The quality of work been open to variation, as the mood of the artist changed.
Yet at other times people may look at and evaluate a piece of art that has no hidden message or meaning attached to it. What happened was that the artist saw something that drew their attention to it, and they felt an irresistible urge to draw, paint, or sculpt the object that inspired them. Under normal circumstances, everyday objects rarely inspire artists to make a piece of art, yet something might suddenly inspire on the spur of the moment to paint a beach ball or a vase of sunflowers. Viewers are looking for something different to appreciate in art, just as artists aim to put an individual perspective within all the art that they produce.
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